Memory: The Origins of Alien
USA | 2019 | 95 minutes | Director: Alexandre O. Philippe
Memory was a script that Dan O’Bannon started in 1971, abruptly hitting a wall at page 29. But after the idea gestated for several years, it ultimately took the form of Ridley Scott’s masterpiece Alien.
Alexandre O. Philippe’s documentaries — most recently 78/52, about Hitchcock’s Psycho shower scene — have interrogated cinema’s cultural ripples. If Memory: The Origins of Alien were only a comprehensive account of Alien’s origins — ancient myths, comic books, H.P. Lovecraft, sci-fi movies, and parasitic wasps — it would still be fascinating. But how did Alien lodge itself so indelibly into our cultural imagination? Philippe’s real interest lies in the deep resonance of myths and our collective unconscious. The strange symbiotic collaboration between Alien creators O’Bannon, Scott, and H.R. Giger suggests a greater synchronicity across history, art, and storytelling, a synchronicity that gives us the Furies, creatures of Renaissance painting, and even chest-bursting aliens.
Propelled by a pure joy of cinema (and sociology), the film is strewn with unearthed archival material, designs, and story notes. It’s safe to say you’ll never think of Alien the same way again.
Alexandre O. Philippe holds an MFA in dramatic writing from NYU Tisch School of the Arts, and he is creative director at Exhibit A Pictures. Most of his films unpack the most influential works of master filmmakers and dissect seminal screen moments. Past works include 78/52 (2017 Sundance Film Festival), Doc of the Dead, and The People vs. George Lucas. He is currently working on a film about The Exorcist with William Friedkin.